La paleta de un artista veneciano del siglo XVI: materiales y métodos de Giovanni da Mel

  • Anna Impallaria University of Ferrara
  • Flavia Tisato
  • Ferruccio Petrucci
  • Maurizio Dal Colle
  • Emanuela Ruggio
DOI: https://doi.org/10.37558/gec.v11i0.487
Keywords: diagnóstico no invasivo, non-invasive diagnostics, técnicas integradas, integrated techniques, análisis in situ, in situ analysis, arte renacentista italiano, Renaissance Italian art, técnica y materiales artísticos, artistic technique and materials

Abstract

Giovanni da Mel (1480-1549) fue un artista del Renacimiento italiano que trabajó en la región del Veneto y se dedicó a la técnica del fresco en el taller de su familia. Durante la última parte de su vida, en la iglesia de Trichiana (Belluno), pintó la única obra sobre tela que se le atribuye.

Gracias a la colaboración entre restauradores y científicos, ha sido posible estudiar profundamente esta pintura peculiar. Las técnicas de imagen facilitaron la identificación de la metodología artística, por ejemplo resaltando el uso del grabado de la preparación para delinear el dibujo (típico de la técnica del fresco). Luego, la aplicación de análisis puntual permitió identificar la paleta del artista, revelando algunas características, desde la adición de un pigmento a base de cobre hasta el carbón animal (negro de hueso), para secar el óleo. Las técnicas diagnósticas caracterizaron completamente el retablo desde un punto de vista metodológica y de los materiales.

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Author Biographies

Anna Impallaria, University of Ferrara

PhD student in Physics at University of Ferrara, MD in Science and Materials for the Conservation and Restoration at the University of Florence. Address: Department of Physics and Earth Science and INFN, Scientific and Technologic Pole, Block C, via Saragat 1, 44122, Ferrara, Italy

Flavia Tisato

PhD in Sciences and Technologies in Archaeology and Cultural Heritage at University of Ferrara. MD in Conservation and Diagnostic of Modern and Contemporary works of Art at University of Ferrara. Address: Department of Physics and Earth Science, Scientific and Technologic Pole, Block C, via Saragat 1, 44122, Ferrara, Italy

Ferruccio Petrucci

Associate Professor in Physics at the University of Ferrara. Address: Department of Physics and Earth Science and INFN, Scientific and Technologic Pole, Block C, via Saragat 1, 44122, Ferrara, Italy

Maurizio Dal Colle

Researcher in Chemistry at University of Ferrara, PhD in Chemical Sciences at the University of Padua. Address: Department of Chemical and Pharmaceutical Science, via Fossato di Mortara 17, 44121, Ferrara, Italy.

Emanuela Ruggio

Restorer and graduated in Science and Technologies for Cultural Heritage. Address: Restauro “la conservazione dell’arte”, via B. Brandolini 113, 31029, Vittorio Veneto (TV), Italy

Published
2017-07-03
How to Cite
Impallaria, A., Tisato, F., Petrucci, F., Dal Colle, M., & Ruggio, E. (2017). La paleta de un artista veneciano del siglo XVI: materiales y métodos de Giovanni da Mel. Ge-Conservacion, 11, 230-236. https://doi.org/10.37558/gec.v11i0.487
Issue
Vol. 11 (2017): Special Issue YOCOCU 2016
Section
Suplemento
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