Vol. 23 No. 1 (2023): Ge-conservación Nº23

Ge-conservación es una publicación periódica del GEIIC, cuyo objetivo es contribuir al desarrollo científico, a la difusión y al intercambio de los conocimientos en materia de conservación y restauración del Patrimonio Cultural.

DOI: https://doi.org/10.37558/gec.v23i1

Published: 2023-02-03

Créditos

2-5
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Saint Rosalie Interceding for the Plague-stricken of Palermo, in the Epiarte Collection: Its Technique, Materials and Connection with Anthony van Dyck

Tamara Alba González-Fanjul

7-17
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Heritage in environmental impact assessments

Elena García Martinez, Rubén Díaz-Sierra

18-27
- PDF (Español (España))
Natural resources as promoters of cultural heritage. The case of the Salinas de Cáhuil, Chile

Stefania Pareti Petruccelli, David Flores Escalona, Loreto Rudolph

28-37
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Science research and contextualization of the embroidery application of the pink dress worn by Audrey Hepburn’s for Breakfast at Tiffany’s

César Rodríguez Salinas, Livio Ferrazza

38-52
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Innovative strategies for digitisation in complex situations of didactic anatomical models using structured light scanning

Óscar Hernández-Muñoz, Emanuel Sterp Moga, Alicia Sánchez-Ortiz

53-64
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Visible storage in Spain: Analysis of typologies

Patricia González Serrano

65-75
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Fireproof fabrics and in situ protection systems in the safeguarding of cultural property in emergencies

Estrella Sanz Domínguez, Marta Hernández Azcutia, Alejandro Cárdenas Galeano

76-85
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Exhibition of Contemporary Artistic Photography. Face-Mounting System: Specific Conservation Problems

Mireya Arenas Patiño, Jorge Rivas López

86-96
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Presentation: The “Art” of plaster – Between creation and replication – Study and preservation

Alice Nogueira Alves, Ana Mafalda Cardeira, Marta Frade

98-99
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Itineraries in the Plaster Collection of the Faculty of Fine Arts of the University of Lisbon

Eduardo Duarte, Marta Frade

100-109
- PDF (Português (Portugal))
Yesos para Versalles, las decoraciones de Jean-Baptiste Plantar para las Galerías Históricas de Versalles (1833-1848)

Justine Gain

110-119
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The Plaster Cast and the Intimacy of the Studio

Isabella Lores-Chavez

120-128
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De lo bélico a lo bello. Nuevas aportaciones sobre una colección del siglo XIX de reproducciones en escayola de piezas de armería

André das Neves Afonso

129-138
- PDF (Português (Portugal))
The art of plaster: experiment to learn. An ephemeral proposal for Barcelona at the beginning of the 19th century

Laura García Sánchez

139-147
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The Collection of the Museo Nacional de Reproducciones Artísticas, now in the Museo Nacional de Escultura 1877–2021

Alberto Campano

PDF
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Plaster – An artistic production in the Museum of Marble in Rance – Belgium

Florence Peltier

156-162
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Stucco-ceilings with moulded ornaments in the Netherlands. The development of and influences from abroad on the 19th Dutch practise

Wijnand Freling

163-170
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Conservation intervention in the plaster panel “Os Pescadores” from the collection of the Faculty of Fine Arts of Oporto University (Portugal)

Inês da Costa Rosa, Mariana Durana Pinto, Mariana Costa, Marta Borges, Sofia Perestrelo, Isaura Almeida, Eduarda Vieira

171-181
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A utilização de códigos QR no combate à dissociação em coleções museológicas – O caso da Reserva de Escultura da Faculdade de Belas-Artes

Guilherme Gameiro Lopes, Marta Frade, Alice Nogueira Alves

182-190
- PDF (Português (Portugal))
Os Gessos e a Imagem em Movimento: Aparições

Rogério Taveira

191-197
- PDF (Português (Portugal))

Ge-conservation Nº23

Ge-conservación Revista

1-198
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