Conservación de las esculturas públicas contemporáneas de Granada. Protección del Patrimonio de la ciudad

  • María Carmen Bellido Márquez
DOI: https://doi.org/10.37558/gec.v11i0.464
Keywords: escultura pública, public sculpture, conservación, conservation, bronce, bronze, ciudad de Granada, city of Granada, arte contemporáneo, contemporary art.

Abstract

Las esculturas urbanas contemporáneas son un elemento integral del paisaje de Granada (España). Por ello, el objetivo de esta investigación es determinar el estado de conservación de varias esculturas públicas situadas en la ciudad, hechas por Miguel Moreno Romera, que en la actualidad presentan la necesidad de mejorar su preservación, siendo restauradas u optimizadas sus condiciones de conservación. Los resultados del estudio exponen las alteraciones de las obras, la evaluación de sus daños, la detección de los posibles agentes de deterioro que les afectan, la propuesta de intervención para reducir estos problemas y la activación de un protocolo de actuación preventiva que las beneficie. En conclusión, existe una importante necesidad de mejorar la conservación de estas esculturas públicas y renovar su imagen también repercutirá positivamente en la de la ciudad, porque son piezas integrales de su tejido urbano que la hacen más cercana al ciudadano.

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Author Biography

María Carmen Bellido Márquez

She is a Ph.D. teacher in the Universiyt of Granada (tenured Lecturer). She graduated in Fine Arts (2004), having also obtained a Ph.D. (2010) in the same field with the Doctoral Thesis entitled A study of the materials and an analysis of the conservation of contemporary works of art. An experimental case study: The Centro José Guerrero Collection, completed a Master’s Degree in Museology (2006) and Certificate in Teaching Proficiency (2005) (UGR). She received the 2003-04 National End of Degree Award (Ministry of Education and Science) and the 2009-10 Extraordinary Ph.D. Award (UGR). She has got recognized six-year research periods. She teaches the subjects of Sculpture and Agents of Deterioration of Cultural Heritage (Degree of Fine Arts), is teaching Photography (same Degree), and External Practices (Master Production and Investigation in Art) (UGR) and is directing Doctoral Thesis, Final Master Thesis and Work Degree. She taught postgraduate courses at the University of Beira Interior (2015) (Portugal) and at the University of Aveiro (2017) and other courses in University of Paris 08 Vincennes Saint-Denis, University of Coimbra, University of Oport, University of Lisbon, University of Ostrava, Fine Art Academy of Florence, Fine Art Academy of Carrara, École nationale supérieure d’art de Bourges and École Supérieure des Beaux-Arts de Nîmes. She published in scientific journals and books on contemporary artistic creation and its conservation and participated in conferences and events to disseminate research. Awarded and undertook research and teaching fellowships for a variety of organisations and countries, including a Thomas Bata Foundation sculpture grant (Czech Republic). She made and exposed sculptural works, mainly in metal, but also photography, video and painting in international exhibittion, participed in research and teaching innovations projects and curated exhibitions by young Spanish artists.

Published
2017-06-30
How to Cite
Bellido Márquez, M. C. (2017). Conservación de las esculturas públicas contemporáneas de Granada. Protección del Patrimonio de la ciudad. Ge-Conservacion, 11, 134-140. https://doi.org/10.37558/gec.v11i0.464
Issue
Vol. 11 (2017): Special Issue YOCOCU 2016
Section
Suplemento
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