Vol. 19 (2021): Ge-conservación Nº19

• Créditos

  1-5

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• Study of tempera painting on canvas in Spain in the XVI century through old documents: painted sargas inside houses

  Sonia Santos Gómez

  7-19

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• Inhibition of lichen and moss growth in lithic elements used in the construction of facades of Cusco heritage churches by applying air nanobubbles

  Jhonny Wilfredo Valverde Flores, Carlos Guillermo Vargas Febres, Aris Cristobal Achahui Alvarez, Danna Gabriela Rodriguez Salas

  20-30

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• Methodology for the study of archaeological rendering mortars

  Teresa López Martínez, Mª del Rosario Blanc García, Ana García Bueno

  31-44

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• Winged angel from the Pantheon of the Pau-Simó family (General Cemetery of Valencia). Casuistry of deterioration and restorative treatment

  Nemesio Canet Company, Xavier Mas-Barberà, José Albiol-Ibáñez

  45-61

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• Looking through the layers: infrared transmitted photography (IRT) applied to the technical and documentary study of paintings on canvas

  Miquel Àngel Herrero Cortell, Paola Artoni, Marta Raïch , Joan Aliaga, Isidro Puig

  62-73

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• Study of cleaning methods on medieval plasterwork

  Eva Vicar García, Ana Isabel Calero Castillo, Ana García Bueno

  74-89

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• Methodological proposal for the examination, registration and graphic representation of the applied brocades

  Ana Carrassón López de Letona, Maite Barrio, Ion Berasain, Kyra Borst, Laura Ceballos, Mercedes Cortázar, Isabel Cubillas, Ana Laborde, Ingrid Geelen, Teresa Gómez Espinosa, María José González, Agnès Le Gac, Camino Roberto Amieva, Emilio Ruiz de Arcaute, Erica Sartori, Mª Dolores Sanz, Delphine Steyaert

  90-102

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• Design, realization and evaluation of a joint system for a bimodal sculpture to procession; the case of the Christ of the Vera Cruz de Guillena

  Benjamin Dominguez Gomez

  103-112

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• Roman window glass conservation: prospects for action after its archaeometric study

  Almudena Velo-Gala, Manuel García-Heras

  113-125

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• Determination of the alteration degree in walls of historic buildings of San Francisco de Campeche, México, by using image analysis and the UAS staging system

  Isabel Silva León, Javier Reyes Trujeque, Claudia Escalante Díaz

  126-140

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• Recovery and safeguarding of industrial heritage. The ex-gas factory San Borja, Santiago de Chile, transformed into the Urban Park of Gasometers

  Stefania Pareti Petruccelli, Irene Kraft Gutiérrez, Blanca García Henche

  141-152

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• Approach to the production context of the paint “Milagro de la Virgen de Guápulo en su Santuario”, attributed to Miguel de Santiago (17th century)

  Martha Elizabeth Romero, Michelle Carolina Mármol, Srta., Carlos Andrés Vásquez, Sr., Fernando Edwin Espinoza, Rita del Consuelo Díaz, Srta., Edgar Santamaría Robles

  153-164

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• Main degradation dathologies and restoration techniques of concrete stained glass

  Pepe Cubillo

  165-180

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• Vicente Poleró y Toledo and cleaning methods in the context of the restoration of paintings in the 19th century

  Antoni Colomina Subiela

  181-194

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• Contribution to the map of the applied brocade in the historical territory of Gipuzkoa: new cases, affiliation between patterns and stylistic evolution

  Maite Barrio Olano , Ion Berasain Salvarredi, Jesús Muñiz Petralanda, Vera Aldabe Gil, Iratxe Colado García

  195-209

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• Multianalytical Characterization of Unique Copper Model Tools from Dark Age of Ancient Egyptian History

  Manal A. Maher

  210-224

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• Maintenance of the façades of the Cathedral of Seville. An example of sustainable intervention

  Jaime Navarro Casas, Elena García Martinez, Ángel Luis García Pérez

  225-235

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• Presentation "III Ibero-American Congress of Research in Heritage Conservation (ICP)"

  Ana Bailão

  237-238

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• Using and analyzing the ‘behavior index’ tool to manage a conceptual artwork by Joseph Kosuth

  Francisca Sousa

  239-247

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• A proposal of an appropriate terminology for digital prints based on the identification of their materials

  Iraia Anthonisen-Añabeitia

  248-258

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• Forget, not to remember: the black heritage invisibilized in the legally protected center of Laguna, Brazil

  Danielle Rocha Benício, Ivie Mesquita, Letícia Damazio de Jesús, Maria Laura dos Santos Sebastião

  259-269

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• The challenges facing the conservation of public art in an urban landscape: the case of the monumental fountain in Sao Paulo, Brazil

  Regina Andrade Tirello, Alice de Almeida Américo

  270-279

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• An in situ experimental study of the hydric behaviour of a section at the western stretch in the medieval wall in Ávila

  María-Teresa Gil-Muñoz, Pedro-Pablo Pérez-García

  280-291

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• An interdisciplinary project of study and conservation of Candido Portinari’s “Retirantes” ensemble at Sao Paulo Museum of Art

  Sofia Hennen Rodriguez, Aline Assumpção, Pedro de Campos, Bianca Gonçalves, Erick Santos, Elizabeth A. M. Kajiya, Fábio Luchiari, Márcia de Almeida Rizzutto, Florence White de Vera, Cecilia Winter

  292-308

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• Process of recording and tracking morphological damages in archaeological metal through 3D documentation

  Alba Fuentes Porto, Elisa María Díaz-González, Manuel Drago Díaz-Alemán, Esteban Manuel Amador-García

  309-319

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• The Cultural Tourism and the Problems of the Carrying Capacity of Heritage: Study of the social dimension of the Porto Cathedral case

  Raquel Marques Sousa

  320-328

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• The study of the significance and anthropic risk indicators for the preservation of collections of tragic memory in a temporary exhibition

  Ana Galán-Pérez, Eduarda Vieira

  329-338

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• Basic advice for surviving the preparation of an Emergency Collection Protection Plan: the practical experience of the Museo Nacional del Prado

  Estrella Sanz Domínguez, Marta Hernández Azcutia

  339-349

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• Describe to plan: the technical data sheet on the conservation-restoration of photographic heritage

  Sara Brancato

  350-358

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Reseñas

• Reseña libro: Dalla Diagnostica Artistica alla Technical Art History. Nascita di una metodologia di studio della Storia dell’Arte (1874-1938)

  Miquel Àngel Herrero-Cortell

  360-361

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• Reseña libro: The Saint-Denis altarpiece in Liège and the question of partial paint practices in the 16th century

  Ana Carrassón López de Letona

  362-363

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• Ge-conservación Nº19

  Ge-conservación Revista

  1-364

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